Port de Bras with Écarté

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Adage
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À la Seconde Extension
Advanced | Adage

À la Seconde Extension

Advanced à la Seconde
Advanced | Adage

Advanced à la Seconde

Développé Activation
Advanced | Adage

Développé Activation

Cambré and Penchée extension
Advanced | Adage

Cambré and Penchée extension

Arabesque Training
Advanced | Adage

Arabesque Training

Elongated Arabesque
Advanced | Adage

Elongated Arabesque

Arabesque Stability
Advanced | Adage

Arabesque Stability

Écarté enhancement
Advanced | Adage

Écarté enhancement

Glutes with Plank
Advanced | Adage

Glutes with Plank

Advanced Derrière Extension
Advanced | Adage

Advanced Derrière Extension

Sideways Bend with Adage Combination
Advanced | Adage

Sideways Bend with Adage Combination

Renversé - Extension
Advanced | Adage

Renversé - Extension

Rond de Jambe - Extension
Advanced | Adage

Rond de Jambe - Extension

Grand Adage
Advanced | Adage

Grand Adage

Attitude Renversé Penchée
Advanced | Adage

Attitude Renversé Penchée

Upper Body & Penchée
Advanced | Adage

Upper Body & Penchée

Power in Balance
Advanced | Adage

Power in Balance

Adagio – Extension 2
Advanced | Adage

Adagio – Extension 2

Adagio – Extension 3
Advanced | Adage

Adagio – Extension 3

Freedom in Adage
Advanced | Adage

Freedom in Adage

Lengthening the Adductors
Advanced | Adage

Lengthening the Adductors

Arabesque Recovery
Advanced | Adage

Arabesque Recovery

Music Used

Giselle (Le Silence) | Ballet Class App

Equipment Used

Exercise Ball / Fit Ball

Exercise Ball / Fit Ball

Wall

Wall

This exercise is specifically designed for pre-professional and professional dancers to refine the artistry and functionality of their upper body movements. It focuses on developing the flexibility, strength, and stability of the muscles in the back, essential for executing a tension-free and expressive port de bras. Using a fit ball provides immediate feedback on hip alignment, aiding in the correction of postural imbalances.


Preparation:

Ensure the dancer's foot is placed on demi-pointe, pressing into the mat with the heel against the wall. The fit ball size should correspond to the length of the dancer's torso to facilitate proper engagement. The mat can be rolled underneath the wrists is more support is required.


Steps:

1. Begin by kneeling close to the wall, rolling over the fit ball to stabilise the supporting leg in rotation against the wall. Cue the students to keep the elbow on the supporting side relaxed and the shoulders oriented downwards and outwards for spine mobility.

2. Instruct the students to practise port de bras separately, focusing on activating the back muscles fully.

3. Once confident, have the students progress to including a full port de bras in retiré position, followed by a développé à la seconde with the full port de bras. Each section should be perfected before moving to the next, with deep breathing throughout to prevent rib flaring.


Focus:

Highlight the need for a light feeling on the fit ball to avoid sinking into the hip. Shoulder girdles should remain broad and open, facilitating fluid and coordinated movements.

Frequently asked questions

Comments and Questions

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