Rotation Presses

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Turnout
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Bridge with Demi Plié
Advanced | Turnout

Bridge with Demi Plié

Passé with Bands
Advanced | Turnout

Passé with Bands

Clams and Twists
Advanced | Turnout

Clams and Twists

Wrapping in a Grand Plié
Advanced | Turnout

Wrapping in a Grand Plié

Clams with Core - Extension
Advanced | Turnout

Clams with Core - Extension

Scissors with bands
Advanced | Turnout

Scissors with bands

TFL, Hamstring & Glute Extension
Advanced | Turnout

TFL, Hamstring & Glute Extension

External Rotation with Bands
Advanced | Turnout

External Rotation with Bands

Deep Rotation
Advanced | Turnout

Deep Rotation

Controlled Hip & Glute Conditioning
Advanced | Turnout

Controlled Hip & Glute Conditioning

Turnout Resistance
Advanced | Turnout

Turnout Resistance

Building Turnout
Advanced | Turnout

Building Turnout

Core & Hip Warm-up
Advanced | Turnout

Core & Hip Warm-up

Building Turnout – Level 2
Advanced | Turnout

Building Turnout – Level 2

Stability & Control
Advanced | Turnout

Stability & Control

Strengthening Turnout with Alignment
Advanced | Turnout

Strengthening Turnout with Alignment

Internal & External Rotation
Advanced | Turnout

Internal & External Rotation

Powerful Legs
Advanced | Turnout

Powerful Legs

Strong Turnout
Advanced | Turnout

Strong Turnout

Hip Opening with Rotation
Advanced | Turnout

Hip Opening with Rotation

Music Used

Bayadère Incenso | Ballet Class App

Equipment Used

Exercise Ball / Fit Ball

Exercise Ball / Fit Ball

Wall

Wall

This exercise is designed to activate and strengthen the external rotators of the hip, including the piriformis, superior and inferior gemelli, obturator internus, and quadratus femoris. This is crucial for ballet dancers to improve hip stability, turnout, and overall lower body alignment.


Preparation: Position students on their mats close to the wall. Place a fit ball against the wall, ensuring it is at a suitable height for the exercise.


Steps:

1. Have students lay on their backs with their right leg elevated in a tabletop position pressing against the ball, ensuring that their heel is centred, and toes point directly upwards (12 o'clock position).

2. Instruct students to gently press into the ball with the heel, maintaining a parallel foot position, then release.

3. Guide students through a series of gentle external rotations, increasing the angle incrementally from 12:05, to 12:10, to 12:15, simulating the action of "playing the piano" with their toes.

4. Emphasise the importance of keeping the hip placement stable and not compromised during rotations.

5. Gradually return to the starting position by decreasing the angle in reverse order.

6. Switch legs and repeat the sequence.


Focus: Have students maintain knee alignment over the toes and keep hip placement stable to ensure effective engagement of the targeted muscles.

Frequently asked questions

Comments and Questions

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