À la seconde alignment extension

Junior
Adage
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Attitude Devant Line
Junior | Adage

Attitude Devant Line

Coordination Adage
Junior | Adage

Coordination Adage

Attitude Devant Extension
Junior | Adage

Attitude Devant Extension

Bridge in 5th Position
Junior | Adage

Bridge in 5th Position

Développé Extension
Junior | Adage

Développé Extension

Breaking down développé devant
Junior | Adage

Breaking down développé devant

Rib alignment in à la seconde
Junior | Adage

Rib alignment in à la seconde

Foundation à la seconde
Junior | Adage

Foundation à la seconde

Arabesque
Junior | Adage

Arabesque

Devant with Breath
Junior | Adage

Devant with Breath

Arabesque Strength
Junior | Adage

Arabesque Strength

Arabesque activation
Junior | Adage

Arabesque activation

Enhancing Adage
Junior | Adage

Enhancing Adage

Refining the développé
Junior | Adage

Refining the développé

Développé à la Seconde
Junior | Adage

Développé à la Seconde

Devant Combination
Junior | Adage

Devant Combination

Adage Band Control
Junior | Adage

Adage Band Control

Music Used

Giselle La Lune | Ballet Class App

Equipment Used

Fusion Ball

Fusion Ball

This exercise is designed to enhance students' understanding of alignment and external rotation in à la seconde. It is suitable for students who are ready to deepen their ballet technique, focusing on the precision of leg movements and foot articulation while maintaining proper hip alignment.


Preparation: Instruct students to lie on their side at the front of the mat, placing the fusion ball between the lower calf muscles. Their legs should be externally rotated, with the supporting foot on demi-pointe and all five toes equally pressed into the mat. This is an extension exercise, however if they can't maintain five toes pressed equally onto the mat, they must point the supporting foot.


Steps:

1. Guide them to draw the working leg up the supporting leg into a high retiré, articulating through the supporting foot while maintaining hip placement.

2. Then, internally rotate the working leg, before externally rotating and moving into à la seconde.

3. Instruct them to move into the développé à la seconde while maintaining stacked hips.

4. Then, they bend to working leg and flex the foot and return the leg to a full extension. Repeat.

5. They, bend the knee into retiré and roll the ball down the supporting leg.

6. Adjust the port de bras into fifth position and roll to the other side of the mat. Flex the working foot and repeat in full.


Focus: Ensure students maintain steady hips throughout the movement. When bending and stretching the working leg, they should focus on articulating through the foot.

Frequently asked questions

Comments and Questions

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