Turnout stability

Senior
Turnout
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Small Twist Activation
Senior | Turnout

Small Twist Activation

Clams with core
Senior | Turnout

Clams with core

Core with beating
Senior | Turnout

Core with beating

Bridge with butterfly
Senior | Turnout

Bridge with butterfly

Alternate Leg Rotators
Senior | Turnout

Alternate Leg Rotators

En croix control
Senior | Turnout

En croix control

Passé with bands
Senior | Turnout

Passé with bands

Wrapping in Demi Plié
Senior | Turnout

Wrapping in Demi Plié

Pulses with bands
Senior | Turnout

Pulses with bands

Fusion Ball Rotation
Senior | Turnout

Fusion Ball Rotation

TFL & glute conditioning
Senior | Turnout

TFL & glute conditioning

Adductor & Core activation
Senior | Turnout

Adductor & Core activation

Resistance extension
Senior | Turnout

Resistance extension

Leg Switches
Senior | Turnout

Leg Switches

Hip & Glute Conditioning
Senior | Turnout

Hip & Glute Conditioning

TFL & Glute extension
Senior | Turnout

TFL & Glute extension

Adductor conditioning
Senior | Turnout

Adductor conditioning

Sliders to Demi Pointe
Senior | Turnout

Sliders to Demi Pointe

Hip Opener
Senior | Turnout

Hip Opener

Rond de jambe en l’air
Senior | Turnout

Rond de jambe en l’air

Arabesque and Bands
Senior | Turnout

Arabesque and Bands

Deep Activation With Band
Senior | Turnout

Deep Activation With Band

Music Used

La Corsaire Class – Marea | Ballet Class app

Equipment Used

Exercise Ball / Fit Ball

Exercise Ball / Fit Ball

This exercise is aimed at enhancing the coordinated use of hip muscles, crucial for achieving optimal leg movements in ballet. It focuses on activating the students natural turnout without force, addressing a key aspect of ballet training. The exercise is designed to prevent over-stressing the muscles and subsequent injuries, emphasising controlled, sustainable leg positions.


Preparation: Equip students with a mini loop band of medium strength around their upper thigh. They lay down supine and position them with feet on a fit ball, halfway between the center and the outer edge, in demi plié.


Steps:

1. Instruct students to exhale and then inhale as they move into the bridge position. Check for correct alignment, ensuring the hip bone aligns with the femur.

2. Guide them to draw the knees in slowly for three counts, maintaining pelvic alignment.

3. On count four, rotate the legs, ensuring the pelvis does not tuck under.

4. Stretch the legs slowly on counts 5-6-7, maintaining rotation, and return to parallel on count 8.

5. Suggest repeating the exercise with eyes shut on the third and fourth attempts, focusing on setting goals for the ballet class.


Focus: Emphasise maintaining pelvic alignment and controlled rotation throughout the exercise. Ensure students do not force their turnout.

Frequently asked questions

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